Related Paintings of unknow artist :. | Sergeant Patriot Gass,som each with in Lewis and Clarks expedition,forde diary and pictorial the also | Seascape, boats, ships and warships. 88 | Still life floral, all kinds of reality flowers oil painting 145 | elias martin | Julian Ashton |
Related Artists:
Elie Nadelman
Polish-born American Abstract Sculptor, 1882-1946,was an American sculptor, draughtsman and collector of Polish birth. Nadelman studied briefly in Warsaw and then visited Munich in 1902 where he became interested in Classical antiquities at the Glytothek. He lived in Paris from 1904 to 1914, closely involved with the avant-guarde, exhibiting at the Societe des Artistes Independants and at the Salon d'Automne from 1905 to 1908. His first solo exhibition in 1909 at the Galerie Druet, Paris, revealed a large series of plaster and bronze classical female heads and full-length standing nudes and mannered Cubist drawings; the latter purchased by Leo Stein, who had brought Picasso to Nadelman's studio in 1908. For the most detailed and accurate studies of Nadelman's work from 1905-12, which was of crucial importance for early 20th c. modern sculpture, see Athena T. Spear in Bibliography. He moved to the United States (becoming an American citizen in 1927) during the outbreak of World War I, married Mrs. Viola Flannery, a wealthy heiress,and assembled a large, museum quality collection of folk sculpture.
Giovanni Camillo Sagrestani
(1660-1731) was an Italian painter of the Baroque era. A native of Florence, he was a follower of the style of Carlo Cignani. His major pupil was Matteo Bonechi (1672-1726) and Giovanni Battista Ranieri del Pace. Four canvases attributed to Sagrestani can be found in the church of Santa Maria della Fraternite in Foiano della Chiana. He also executed works in the church of San Frediano in Cestello, in the Oltrarno district of Florence. Paintings in the church of SS. Annunziata in San Giovanni Valdarno are attributed to Sagrestani. An Assumption of the Virgin is found in Nancy.
aleijadinho
Aleijadinho (b. Antônio Francisco Lisboa; 1730 or 1738 ?C November 18, 1814) was a Colonial Brazil-born sculptor and architect, noted for his works on and in various churches of Brazil. Born in Vila Rica (Rich Town), whose name was later changed to Ouro Preto (Black Gold), Brazil, in 1738 (sometimes said to be in 1730) he was the son of Manuel Francisco de Costa Lisboa, a Portuguese man and his African slave, Isabel. His father, a carpenter, had immigrated to Brazil where his skills were so in demand that he appears to have been elevated to the position of architect. When Antonio was young his father married and he was raised in his father's home along with his half siblings. It was there he is presumed to have learned the fundamentals of sculpture, architecture and the combination of the two. Antonio first appears as a day laborer working on the Church of Our Lady of Carmel in the town of Ouro Preto, a church designed by his father.